Revision is where the real story starts to emerge for me. I do not think of it as a stage of “fixing mistakes,” at least not primarily. Revision is where I figure out what the draft is actually trying to be, what it is already doing well, what it is failing to do, and how to help it become more fully itself. Drafting gets the material onto the page. Revision is where I discover what shape that material was always reaching toward. When I first come back to a draft, the things

A reflection on the kinds of ideas that refuse to leave me alone, and how a line, an image, or a question slowly becomes a real story.

Different stories need different shapes, and I’ve learned to follow them there. I write across genres because I rarely begin with genre at all. Most of the time, I start with a concept, a character, an atmosphere, a piece of worldbuilding, or the beginning shape of a plot. Sometimes that concept is clearly fantasy or clearly science fiction from the start. Sometimes it is not. Sometimes I think I am beginning in one place and the story has other ideas. I can set out to write

A core part of my life has been learning how to be myself. That has not always been easy, and for a long time it did not even feel possible. Because of that, I think I am always writing toward the places people are told not to look too closely: pain, loneliness, longing, uncertainty, desire, change, the parts of a self or a life that others would rather flatten, fear, or dismiss. I am interested in finding beauty there, not because suffering is noble, but because even difficu